LIVE PERFORMANCE ETHICS: PROFESSIONALITY AND AESTHETIC CRITERIA
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This article provides a scientific analysis of the ethical and aesthetic aspects of "live performance" in modern pop and vocal arts, going beyond merely technical definitions. It examines the ethical standards regarding a performer's stage behavior, dress code, and psychological interaction with the audience. The study illuminates the conflicts between lip-syncing and live performance, as well as the artist's professional responsibilities, based on K.S. Stanislavsky's system and sources from Uzbek musicology. The article is intended for vocal performance students, practitioners, and art historians.
本文针对现代流行与声乐艺术中的「现场表演(live performance)」的伦理与美学维度展开科学分析,并未局限于单纯的技术界定。本文探讨了表演者的舞台行为、着装规范及与观众的心理互动所涉及的伦理准则。本研究以康斯坦丁·斯坦尼斯拉夫斯基(K.S. Stanislavsky)体系与乌兹别克斯坦音乐学相关文献为支撑,阐释了假唱与现场表演之间的冲突,以及艺术家的职业责任。本文的目标受众为声乐表演专业学生、从业者及艺术史研究者。



