Wall Drawing

For String Quartet, Theremin and electronics.Premiered by the Zephyr Quartet, November 2014, Adelaide ABC Classic FM studios."experimental music that radically challenges the way we think about music and performance and about the pervasive and seductive influence of new technologies". Chris Reid, Realtime Arts. Read the full review here."outstanding visually and aurally, using state-of-the-art media and skilful artistic invention" John McBeath, The Adelaide Advertiser. Read the full review here.“It might seem to some that color is synonymous with decoration, but I try to use color objectively… I do not use color for effect.” Sol LeWitt, 2003.This piece takes direct inspiration from the drawings of conceptual artist Sol LeWitt, and his statements that liken his art practice to that of composers of music. Using primary and secondary colour, and simple almost minimalist line drawing, the score contracts the short straight line with the curved continuous, as guides for musical structure. The piece was written during a residency at the Visby Centre for International Composers, supported by the AMC and ISCM.本作品为弦乐四重奏（String Quartet）、特雷明琴（Theremin）与电子音效而作，于2014年11月在阿德莱德ABC古典调频（ABC Classic FM）演播室由风弦四重奏（Zephyr Quartet）首演。 「这是一部彻底颠覆人们对音乐与演奏的认知，同时重新审视新兴技术无处不在且极具吸引力的影响力的实验性音乐作品。」——克里斯·里德（Chris Reid），《实时艺术》（Realtime Arts），完整评论详见此处。 「在视觉与听觉层面均表现卓越，运用顶尖媒体技术与精妙的艺术创作手法。」——约翰·麦克比思（John McBeath），《阿德莱德广告报》（The Adelaide Advertiser），完整评论详见此处。 「在部分观者看来，色彩仿佛等同于装饰，但我始终尝试以客观的态度运用色彩……我并非为了追求特效而使用色彩。」——索尔·勒维特（Sol LeWitt），2003年。 本作品的创作灵感直接源自概念艺术家索尔·勒维特（Sol LeWitt）的绘画作品，以及他将自身艺术创作类比于音乐作曲家创作的相关论述。该乐谱以主色调、辅色调以及近乎极简主义的简洁线条为创作元素，将短促直线与连续曲线作为音乐结构的构建指引。本作品创作于国际作曲家维斯比中心（Visby Centre for International Composers）驻留创作期间，得到了AMC（Australian Music Centre）与ISCM（International Society for Contemporary Music）的支持。