Cinema de mulheres como resistência à ditadura a partir de uma fonte de pesquisa

ABSTRACT Studies on cinema and Brazilian dictatorship are generally based on the film production of that period and seek to analyze content, form and discourse. What this article proposes is to follow an unconventional path, starting from a catalog as a historical document that encouraged research on women filmmakers who directed films during the Brazilian military dictatorial regime. With this mapping, it becomes possible to perceive that resistance cinema has specificities, and it is through them that the erasure and the prominence of women in this history will be addressed at the same time. By transgressing social norms and traditional roles, through characters of their films, some women filmmakers became elements of a politics and an aesthetics of resistance that confronted both the dictatorship and patriarchal norms and relations.

摘要 现有关于电影与巴西独裁时期的研究，通常以该时期的电影作品为核心研究对象，旨在剖析其内容、形式与话语体系。本文则拟开辟非传统研究路径：以一份兼具历史文献价值的目录为依托，开展针对巴西军事独裁政权时期女性电影导演的相关研究。通过此番系统性梳理，我们得以发现抵抗电影具备独特的专属特质，而正是依托这些特质，我们能够同时探讨女性在这一历史进程中被抹除与被凸显的双重处境。部分女性导演借由其影片中的角色，打破社会规范与传统性别角色桎梏，成为对抗独裁政权与父权规范、父权关系的抵抗政治与抵抗美学的重要组成部分。