Madonna and child
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The Madonna and Child is a very frequent theme in Christian art. However, in the 13-14th century the representation changes and more tenderness appears between the mother and her child. In this very refined relief from the end of the 15th century, the technique of sculpting as well as the rule of proportions enables the Ferrucci to make the relationship between the Virgin and her child visible to the spectator. The baby's hand on his mother's chest, her closed eyes, the way she holds him, are as many simple gestures that are universal to all mothers and their children.
圣母子(Madonna and Child)是基督教艺术中极为常见的创作主题。但在13至14世纪,该主题的表现形式发生了转变,母子间的温情流露愈发浓郁。在这件创作于15世纪末的精致浮雕作品中,凭借精湛的雕刻技艺与精准的比例把控,费鲁奇(Ferrucci)得以将圣母与圣婴之间的亲密联结清晰呈现在观者面前。孩童搭在母亲胸口的小手、圣母闭合的双眼,以及她拥揽孩子的姿态,均为普天下母子间共有的质朴细节,传递出跨越文化的共通温情。



