The relationship of the Slovak population to music

The survey ran within a cycle of five surveys titled: Perception of Art in Slovakia after 2000. The objective was to map the extent of people's relationships to various music genres at several levels. Based on predefined criteria, the introductory question measured the intensity of respondents' interest in individual types of art (intense, average, little, or no interest). The study primarily examined the following areas: the popularity of music genres, frequency of attendance at music events, preference in music perception (in public spaces, at home and elsewhere, listening to music from the media, etc.), level of respondents' musical skills, information sources on music life, respondents' knowledge of music (titles of songs and operas, ability to identify composers and artists), attendance at music festivals, willingness to invest in listening to music (attendance at music events), access to the presentation of music events, reasons for no interest in music. The survey was carried out via a network of interviewers on a sample of 1110 respondents using the quota characteristics of gender, age, education, the size of the settlement, nationality, district, region as well as economic status, and religious denomination.

本次调研为《2000年后斯洛伐克的艺术认知》五轮系列调研的组成部分，其核心目标为多维度刻画民众与各类音乐流派的关联程度。基于预设标准，开篇调研问题用于衡量受访者对各类艺术形式的兴趣强度，分为浓厚、一般、微弱及无兴趣四个等级。本研究主要覆盖以下范畴：音乐流派的流行度、音乐活动参与频次、音乐感知偏好（含公共空间、居家及其他场景、通过媒介收听音乐等）、受访者音乐素养水平、音乐资讯获取渠道、受访者音乐知识储备（含歌曲与歌剧名称识别、作曲家及艺人辨识能力）、音乐节参与情况、为音乐收听投入的意愿（如参与音乐活动）、音乐活动展演的获取途径，以及对音乐无兴趣的原因。本次调研通过访员网络开展，共招募1110名受访者作为调研样本，样本配额控制维度涵盖性别、年龄、受教育程度、定居点规模、国籍、行政区、区域、经济状况及宗教信仰。