"NIGHT AND DAY" AND THE SIXTH SCHOOL OF NOVEL WRITING

This article provides an analytical response to the literary scholar G. Murodov’s research on the intertextual and conceptual connections between the novels “O‘tgan kunlar” (Bygone Days) and “Kecha va kunduz” (Night and Day). The study substantiates that Murodov’s argument—regarding Kecha va kunduz as an innovative attempt to merge and harmonize Eastern and Western literary-aesthetic traditions within a unified artistic framework—is scientifically grounded and supported by detailed textual analysis.

本文针对文学学者G. 穆罗多夫（G. Murodov）围绕小说《O‘tgan kunlar》（Bygone Days，即《往日》）与《Kecha va kunduz》（Night and Day，即《夜与昼》）之间的互文性（intertextuality）与概念关联所开展的研究，作出分析性回应。本研究证实，穆罗多夫提出的将《Kecha va kunduz》视作在统一艺术框架内融合并协调东西方文学美学传统的创新性尝试这一论点，具备科学依据，并得到了详实文本分析的佐证。