TRANSLATION EDITIONS OF ABDURAUF FITRAT'S WORKS: A SURVEY OF FOREIGN-LANGUAGE RECEPTION IN THE TWENTIETH AND TWENTY-FIRST CENTURIES

This article examines the translation editions of works by Abdurauf Fitrat (1886–1938), one of the central figures of the Central Asian Jadid movement, as they have circulated in Russian, English, German, Turkish, Tajik, Uyghur, Kazakh and Chinese over the past century. Drawing on Uzbek-language secondary scholarship and on the publication record of Fitrat's writings abroad, the study reconstructs how individual texts — the Persian-Tajik dialogue Munozara (1909), the travelogue Bayonoti sayyohi hindi (1912), the verse drama Shaytonning Tangriga isyoni, the historical tragedy Abulfayzkhan, the short story Qiyomat, and the political drama Hind Ikhtilolchilari — entered non-Uzbek reading publics through specific translators, journals and publishing houses. Particular attention is given to the contributions of Edward Allworth, William Hanaway, Adeeb Khalid, Shawn T. Lyons, Ingeborg Baldauf and Zaynobidin Abdirashidov. The paper argues that the foreign-language afterlife of Fitrat's writings is neither uniform nor complete: it is fragmented across languages, mediated by ideological framings of each period, and still contains substantial gaps that warrant fresh translation-studies research.本文聚焦中亚贾迪德运动核心人物之一阿卜杜拉乌夫·菲拉特（Abdurauf Fitrat，1886–1938）的作品译本，梳理其近一个世纪以来在俄语、英语、德语、土耳其语、塔吉克语、维吾尔语、哈萨克语及汉语中的传播脉络。本研究依托乌兹别克语二手学术文献与菲拉特作品海外出版记录，还原了六部作品如何通过特定译者、期刊与出版社进入非乌兹别克语读者群体：1909年的波斯-塔吉克语对话体作品《对话》（Munozara，1909）、1912年游记《印度旅行者见闻》（Bayonoti sayyohi hindi，1912）、诗剧《撒旦反叛真主》（Shaytonning Tangriga isyoni）、历史悲剧《阿布法伊兹汗》（Abulfayzkhan）、短篇小说《末日审判》（Qiyomat）与政治剧《印度革命者》（Hind Ikhtilolchilari）。本研究特别关注了爱德华·奥尔沃思（Edward Allworth）、威廉·哈纳韦（William Hanaway）、阿德布·哈立德（Adeeb Khalid）、肖恩·T·莱昂斯（Shawn T. Lyons）、英格博格·鲍尔道夫（Ingeborg Baldauf）及扎伊诺比丁·阿卜迪拉希多夫（Zaynobidin Abdirashidov）等人的学术贡献。本文指出，菲拉特作品的外语译介历程既非统一划一，亦非完整无缺：其译本在不同语言间呈现碎片化特征，受各历史时期意识形态框架的中介调节，且仍存在大量值得开展全新翻译研究的空白领域。