Images to accompany "A Renaissance Synthesis of Ancient Christian Themes: Architecture, Altarpieces and Imagined Spaces in San Giovanni Crisostomo, Venice, 1495-1520" by Éamonn Ó Carragáin
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A set of photographs chosen to illustrate the article <em>A Renaissance Synthesis of Ancient Christian Themes: Architecture, Altarpieces and Imagined Spaces in San Giovanni Crisostomo, Venice, 1495-1520 (https://doi.org/10.1484/m.sem-eb.5.119636)</em> by Éamonn Ó Carragáin. The photographs were taken by Éamonn Ó Carragáin between May 2015 and May 2017 in the church of San Giovanni Crisostomo, Venice, Italy. <strong>File List</strong> <em>Note: The numbering of files matches the numbering of figures in the published article. There is no Figure 1.</em> 1. Filename: figure_02.jpg <br> <em>Figure 2. The Modonna Greca, legacy of Giacomo de’ Bernabò, d. 1438; below, altarpiece by Tullio Lombardo, inserted 1506. </em> 2. Filename: figure_03.jpg<br> <em>Figure 3. The Bernabò Chapel and altarpiece; Pulpit donated by Ludovico Talenti; Monument to Talenti.</em> 3. Filename: figure_04.jpg <br> <em>Figure 4. View of the Bernabò Chapel.</em> 4. Filename: figure_05.jpg<br> <em>Figure 5. High altar, and Sebastiano Luciani's altarpiece. Note its framing pillars, and the steps leading to the altar area: these are echoed by the pillar, and the steps, in the painting. </em> 5. Filename: figure_06.jpg<br> <em>Figure 6. Nave of San Giovanni Crisostomo, showing steps and tiled floor, both echoed in the altarpiece.</em> 6. Filename: figure_07.jpg<br> <em>Figure 7. Diletti Chapel (viewed from the Bernabò Chapel), showing the light from the side windows.</em> 7. Filename: figure_08.jpg <br> <em>Figure 8. Diletti Chapel, showing St Christopher and St Louis of Toulouse standing inside the painted chancel, and looking across the nave towards the Bernabò Chapel. </em> 8. Filename: figures_with_captions.pptx <br> <em>A Microsoft Powerpoint document showing each of the figures in order with their captions.</em>
本数据集为一组配套摄影作品，用于辅助说明文章《文艺复兴时期古代基督教主题的融合：威尼斯圣乔瓦尼·克里索斯托莫教堂1495-1520年的建筑、祭坛画与想象空间》（https://doi.org/10.1484/m.sem-eb.5.119636），作者为Éamonn Ó Carragáin。该批照片由Éamonn Ó Carragáin于2015年5月至2017年5月间，在意大利威尼斯圣乔瓦尼·克里索斯托莫教堂拍摄完成。<strong>文件列表</strong> <em>注：文件编号与已发表文章中的图表编号一一对应，无编号为1的图表。</em><br>1. 文件名：figure_02.jpg <br> <em>图2：《希腊圣母像》，为贾科莫·德·贝纳博（Giacomo de’ Bernabò）的遗赠，该遗赠者卒于1438年；下方为图利奥·隆巴尔多（Tullio Lombardo）创作的祭坛画（altarpiece），于1506年增设。</em><br>2. 文件名：figure_03.jpg<br> <em>图3：贝纳博礼拜堂（chapel）与祭坛画；由卢多维科·塔伦蒂（Ludovico Talenti）捐赠的布道坛，以及塔伦蒂纪念碑。</em><br>3. 文件名：figure_04.jpg <br> <em>图4：贝纳博礼拜堂全景。</em><br>4. 文件名：figure_05.jpg<br> <em>图5：主祭坛，以及塞巴斯蒂亚诺·卢恰尼（Sebastiano Luciani）创作的祭坛画。请注意其支撑立柱与通往祭坛区域的台阶：画作中的立柱与台阶与此形成呼应。</em><br>5. 文件名：figure_06.jpg<br> <em>图6：圣乔瓦尼·克里索斯托莫教堂的中殿（nave），可见台阶与瓷砖地面，二者均在祭坛画中得到呼应。</em><br>6. 文件名：figure_07.jpg<br> <em>图7：德利礼拜堂（从贝纳博礼拜堂视角拍摄），可见侧窗透入的光线。</em><br>7. 文件名：figure_08.jpg <br> <em>图8：德利礼拜堂，可见立于彩绘圣所（chancel）内的圣克里斯托弗与图卢兹的圣路易，以及跨中殿望向贝纳博礼拜堂的视角。</em><br>8. 文件名：figures_with_captions.pptx <br> <em>一份Microsoft PowerPoint文档，按顺序收录全部图表并附带说明文字。</em>
