Original Artist Identity in Song - CousteauX Album

Original Artist Identity in Song examines the variables deployed when constructing public-facing identity in original songs, and the subsequent interaction of artist identity within the market ecology of popular music. The 2017 album, CousteauX, is a case study in the construction of artist identity. <br>Insights into the inner workings of creative practice arise, and the analytical auto-ethnographic method observes practice for patterns and themes in the songwriting, production and touring phases of the album’s release. This practice develops a model with which to reveal those song variables with bearing on the public impression of the original artist.<br>The music video for "When the Bloom has Left the Rose", which forms part of this collection, won Best Music Video at The London Independent Film Awards in October 2020.<br><br><b>This item contains audio files from the Album "CousteauX" which is the research output for this project.</b><br><b>Audio files &amp; Image courtesy of Davey Ray Moor.</b><br><br><b>The work is under copyright and may not be used without permission. Use of this repository acknowledges cooperation with its policies and relevant copyright law.</b>

歌曲原生艺术家身份（Original Artist Identity in Song）旨在考察原创歌曲中用于构建面向公众身份的各类变量，以及艺术家身份在流行音乐市场生态中的后续互动。2017年发行的专辑《CousteauX》即为该研究中艺术家身份构建的案例研究对象。
本研究可揭示创意实践的内在运作机制，其所采用的分析性自动民族志（auto-ethnography）方法，将对专辑发行全周期内的词曲创作、制作与巡演阶段的实践模式与主题展开观测与归纳。该研究实践衍生出一套分析模型，可用于揭示对原生艺术家公众形象产生影响的各类歌曲变量。
本专辑收录曲目《When the Bloom has Left the Rose》的音乐录影带，于2020年10月斩获伦敦独立电影奖最佳音乐录影带奖项。

**本数据集包含本项目研究成果——专辑《CousteauX》的音频文件。**
**音频文件与图片由Davey Ray Moor惠赠。**
**本作品受版权保护，未经许可不得擅自使用。使用本数据集即视为同意遵守其相关政策与现行版权法律。**