THE IMAGE OF THE EAST IN THE WORKS OF ANNA AKHMATOVA AND ABDULHAMID CHO'LPON

This article provides a comparative analysis of the artistic interpretation of the image of the East in the works of Anna Akhmatova and Abdulhamid Cho‘lpon. The study examines how, in Akhmatova’s lyrics, the East is represented as a mythopoetic, symbolic, and existential spiritual space, particularly in the poems written during her Tashkent period. In these works, through images of nature and such symbols as the rose, raisins, the garden, and dreams, the East is interpreted as a cultural and spiritual refuge. In Cho‘lpon’s lyrical poetry, however, the image of the East acquires a historical and philosophical dimension, appearing as a civilization that has declined under colonial conditions yet retains the potential for renewal. Based on an analysis of the poet’s poems “Sharq nuri” and “Bokuga Sharq qurultoyiga ketkanda,” the article explores the historical tragedy of the East, as well as ideas related to national consciousness and social movement. The article demonstrates that in the works of both poets the image of the East is revealed within different poetic and ideological contexts, highlighting its aesthetic and philosophical significance in twentieth-century Russian and Uzbek poetry.本文对安娜·阿赫玛托娃（Anna Akhmatova）与阿卜杜勒哈米德·乔勒蓬（Abdulhamid Cho‘lpon）作品中对东方形象的艺术诠释展开比较分析。本研究考察了阿赫玛托娃抒情诗作中东方如何被呈现为神话诗性、象征性且兼具存在主义精神的空间，尤其聚焦其塔什干时期创作的诗歌。在这些作品中，诗人借由自然意象与玫瑰、葡萄干、花园、梦境等符号，将东方诠释为一处文化与精神的庇护所。然而在乔勒蓬的抒情诗歌中，东方形象被赋予了历史与哲学维度，呈现为在殖民境遇下走向衰落却仍保有复兴潜能的文明。本文通过分析诗人诗作《"Sharq nuri"》与《"Bokuga Sharq qurultoyiga ketkanda"》，探讨了东方的历史悲剧，以及与民族意识、社会运动相关的思想内涵。本文表明，两位诗人笔下的东方形象均在不同的诗学与意识形态语境中得以彰显，凸显了其在20世纪俄罗斯与乌兹别克诗歌中的美学与哲学意义。