Streaming culture. La mappatura della produzione e del consumo culturale durante la pandemia (2020-2024)

This study published by DASSI was previously archived at UniData - Bicocca Data Archive. The constraints imposed by the Covid-19 health crisis have led many cultural institutions to reconsider the ways in which they interact with their audiences and to seek new forms of relationship with their stakeholders in a context where physical encounters and face-to-face interaction have been severely limited. Against this backdrop, the Streaming Culture project aims to investigate how forms of digital production and consumption have changed during the lockdown phase and in the months immediately following, through a unique combination of computational sociology and qualitative methods. This constitutes a research design that offers the possibility of gaining fundamental knowledge on the patterns of cultural production and consumption in the Lombardy region, with a level of granularity not yet present in existing research. This knowledge can also be the basis on which to rethink policy strategies for public decision-makers and all cultural operators. The research produced a rich collection of data, both quantitative and qualitative, through the use of mixed methods. The extraction and collection of big data (mainly from the social media profiles of Lombardy's cultural operators) was flanked by qualitative interviews and digital ethnographies. In particular, the collection includes five data:  a mapping of cultural operators in Lombardy  a dataset of a sample of cultural operators enriched with social media profile data  Twitter data (IDs only)  data from the "Who's your dealer?" survey  eight semi-structured interviews with cultural operators and/or creators More information can be found on the Streaming Culture project website, available here.

本研究由DASSI发布，此前曾存档于UniData - 比可卡大学数据档案馆（UniData - Bicocca Data Archive）。受新冠疫情（Covid-19）健康危机带来的诸多限制，众多文化机构不得不重新审视其与受众的互动方式，并在线下接触与面对面交流受到严重制约的背景下，探索与利益相关方构建新型关系的路径。在此背景下，「流媒体文化（Streaming Culture）」项目旨在通过计算社会学与质性研究方法的有机结合，探究封锁阶段及随后数月内数字生产与消费模式的变迁。该研究设计能够帮助研究者获取伦巴第大区（Lombardy）文化生产与消费模式的基础性认知，且其数据粒度为现有同类研究中所未见。此类认知还可为公共决策者及全体文化从业者重新制定政策策略提供依据。本研究采用混合研究方法，采集了涵盖定量与定性两类的丰富数据集：在采集大数据（主要来源于伦巴第大区文化从业者的社交媒体主页数据）的同时，辅以质性访谈与数字民族志研究。具体而言，本次数据集包含五类内容：伦巴第大区文化从业者分布图谱、补充了社交媒体主页数据的文化从业者样本数据集、仅包含用户ID的推特（Twitter）数据、"Who's your dealer?"调研数据，以及8场针对文化从业者及/或创作者的半结构化访谈资料。更多信息可访问「流媒体文化（Streaming Culture）」项目官网获取。