Dramaturgies of Hauntology - Dwelling (2019) - Methods and processes

Dramaturgies of Hauntology encompasses two performances, The Strange Geometry of Time (2018) and Dwelling (2019), both of which aim to creatively activate theories of Hauntology and Spectrality, either through the haunted subject, placing the singularity of the self into doubt, or via explorations of ‘agency’ in places devoid of human existence, testing the implications of the uncanny in derelict locations.This item contains further documentation of methods and processes, relating to Dwelling. Text by Mary Steadman.《幽灵学的戏剧构作实践》（Dramaturgies of Hauntology）涵盖两部戏剧作品：2018年的《时间的奇异几何》（The Strange Geometry of Time）与2019年的《栖居》（Dwelling）。二者均旨在以创造性路径激活幽灵学（Hauntology）与幽灵性（Spectrality）理论：或依托受幽灵萦绕的主体，对自我的独一性予以质疑；或探索无人类存续的场域中的“能动性”，验证诡异感在废弃场所中的意蕴。本数据集还包含与《栖居》相关的方法与流程的补充文档，文本由玛丽·斯特德曼（Mary Steadman）执笔。