THE MUSEUM AS A RESEARCH CENTER FOR THE STUDY OF THE AVANT-GARDE: THE ACTIVITIES OF THE STATE MUSEUM OF ARTS NAMED AFTER SAVITSKIY

This article analyzes the research activities of the I.V. Savitsky State Museum of Arts of the Republic of Karakalpakstan as a specialized center for the study of Russian and Central Asian avant-garde art. The study examines the museum's transformation from a regional institution into an internationally recognized research center with a unique collection from the 1920s and 1930s. The article examines the museum's key research areas: attribution and cataloging of avant-garde works, provenance research, the study of artists' biographies, scholarly commentary on the collection, international relations, and publications. It also examines the museum's contribution to expanding the historiography of the Russian avant-garde through the introduction of previously unknown works and names into scholarly circulation. The study demonstrates how, thanks to the uniqueness of its collection and systematic research, this regional museum is becoming a center for international art history research. It concludes that the museum has made a significant contribution to global art studies and highlights prospects for further development of its research activities in the context of digitalization and expanding international cooperation.本文以卡拉卡尔帕克斯坦共和国伊·弗·萨维茨基国立艺术博物馆（I.V. Savitsky State Museum of Arts）为研究对象，分析其作为俄罗斯与中亚先锋派艺术研究专业中心的科研活动。本研究梳理了该馆从地区性文博机构，转型为拥有二十世纪二三十年代珍稀馆藏、获国际认可的顶尖科研中心的发展历程。本文探讨了该馆的核心科研方向：先锋派作品的归属鉴定与编目、藏品溯源研究、艺术家生平研究、馆藏学术评注、国际学术交流与出版工作。此外，本文还探讨了该馆通过将此前未进入学术传播视野的作品与艺术家姓名引入学界，对拓展俄罗斯先锋派艺术史学研究边界作出的贡献。本研究阐明，依托独特馆藏与系统化科研实践，该地区性博物馆正逐步成长为国际艺术史研究的核心阵地。本文最终指出，该馆为全球艺术研究领域作出了重要贡献，并展望了其在数字化浪潮与国际合作深化背景下，科研活动的未来发展前景。