Burnie Maker's Workshop

RESEARCH BACKGROUNDThis project continues Terroir's exploration of the contextual complexity specific to each project. In each case, design commences with the establishment of relevant contexts - historical, environmental, social, legislative, material and more - which often clash and conflict. Within these tensions and clashes, Terroir looks for windows of opportunity to create a new proposition, one that shares a family resemblance with the key contexts yet exists as an entirely new 'family member'. RESEARCH CONTRIBUTIONThe Burnie Paper Maker's Gallery is a completed building, constructed of concrete, steel, polycarbonate and glass, with a reconstituted timber panel used as a predominant interior lining. This work is an extension of Terroir's earlier topological and contextual projects. Topologically, architectural quality is developed through the phenomenological tension between interior and exterior, an exploration inspired in part by the works of Jorn Utzon. In this case, Utzon's Sydney Opera House, Baagsvard Church and un-built Silkeborg Museum, and Adolph Loos' Villa Mulla serve as reference points and all are significant in Terroir's wider community of practice. The tension between the interior and exterior is expressed by developing a toy-like blunt exterior and a lively interior that, through devices of orientation and axial view, place the subject in a specific relation with the collection and with Burnie. RESEARCH SIGNIFICANCEBurnie Maker's Workshop won the Alan C Walker Award for Public Architecture at the 2010 Australian Institute of Architects (Tasmania) awards. It has won an Australian Steel Institute Award, environmental awards from the City of Burnie, and been featured in C+A magazine, Architectural Review Australia, and IW Magazine (Taiwan).研究背景（RESEARCH BACKGROUND）：本项目延续了Terroir针对每个项目特有的情境复杂性所开展的探索。在每个项目中，设计均始于对相关情境的构建与梳理——涵盖历史、环境、社会、立法、材料等诸多维度，而这些情境往往彼此冲突、相互抵牾。在这类张力与冲突之中，Terroir致力于发掘机遇窗口，以打造全新的设计主张：该主张既与核心情境存在家族相似性，又作为独立的全新「家族成员」存在。 研究贡献（RESEARCH CONTRIBUTION）：伯恩纸匠美术馆（Burnie Paper Maker's Gallery）是一座已落成的建筑，以混凝土、钢材、聚碳酸酯（polycarbonate）与玻璃为主要建材，并采用再生木饰面板作为核心室内内衬材料。该作品是Terroir此前拓扑学与情境化设计项目的延伸。从拓扑学视角而言，建筑品质通过室内与室外之间的现象学张力得以塑造，这一探索在一定程度上受到约恩·乌松（Jorn Utzon）作品的启发。本案中，乌松的悉尼歌剧院、巴格斯瓦尔德教堂（Baagsvard Church）、未建成的希尔克堡博物馆（Silkeborg Museum），以及阿道夫·路斯（Adolph Loos）的穆勒别墅（Villa Mulla）均作为参考基准，且均在Terroir更广泛的实践共同体中具有重要地位。室内与室外的张力通过两大设计手法得以体现：打造仿若玩具般质朴厚重的外立面，以及灵动鲜活的室内空间——后者通过定向布局与轴视设计，使观者与馆藏藏品及伯恩市建立起特定的关联。 研究意义（RESEARCH SIGNIFICANCE）：伯恩匠人工坊（Burnie Maker's Workshop）斩获了2010年澳大利亚建筑师协会（塔斯马尼亚分会）颁发的艾伦·C·沃克公共建筑奖（Alan C Walker Award for Public Architecture）。该项目还曾荣获澳大利亚钢铁学会（Australian Steel Institute）奖、伯恩市环保奖项，并登上《C+A》杂志、《澳大利亚建筑评论》（Architectural Review Australia）以及中国台湾地区的《IW Magazine》等刊物。