Survey data on the value of live music in Italy

This survey is part of an ethnographic research for Francesca Cireddu's PhD thesis, titled "Partecipazione ed esperienza live nei concerti pop-rock in tempi di transizione: riflessioni e proposte metodologiche a partire da alcuni casi tratti dai contesti alternativi di USA, Gran Bretagna, Italia e Cina" (trad. "Participation and live experience in pop-rock gigs in times of transitions: reflections and methodological suggestions on the basis of some case studies on alternative music contexts in USA, Great Britain, Italy and China").

Data show the value attached to live music in Italy with regards to it being a "place" for aggregation and socialisation. 
77 participants between 16 and 60, from different backgrounds and areas of Italy replied. 

The answers are useful in order to highlight possible incidence between socialising practices and live music practices in specific local areas in Italy with regards to urban settings and sociocultural habits. These data also show how such aspects are relevant in evaluating the way live streaming music performances may or may not be positively evaluated in Italy.

本调研为弗朗西斯卡·奇雷杜（Francesca Cireddu）博士论文的民族志研究组成部分，该论文的意大利语原标题为"Partecipazione ed esperienza live nei concerti pop-rock in tempi di transizione: riflessioni e proposte metodologiche a partire da alcuni casi tratti dai contesti alternativi di USA, Gran Bretagna, Italia e Cina"，其英文译名为《转型时期流行摇滚演唱会的参与与现场体验：基于美国、英国、意大利与中国另类音乐语境的若干案例的反思与方法论建议》。

数据展现了意大利民众将现场音乐视为聚合与社交“场所”的重视程度。

本次调研共招募77名年龄介于16至60岁之间、来自意大利不同背景与地域的受访者参与作答。

这些答复有助于揭示意大利特定本地区域内，社交实践与现场音乐实践在城市环境与社会文化习惯维度上的潜在关联。此外，该数据还阐明了此类因素在评估直播音乐演出在意大利的正向接受度时的相关性。