Feminine bodies and voices: education and resistance in Argentine cinema

ABSTRACT The audiovisual history of women in Argentina puts in perspective the formal, thematic and stylistic markers behind the performance. Their vision of reality, the uses of the body and the processes of autopoiesis emphasize subjective aesthetic processes that transcend the social through acoustic and visual mediatization. Certainly, the history of theater, radio and Argentine cinema has not given the deserved attention to these artistic training processes and body education within the context of the history of women. The body in the filmic representation presents a little-studied historical aspect, which is part of an aesthetics of socio-cultural gender resistance. These processes resignify all our understanding of the politics of representation in Argentina, of the visible and the audible in the first three decades of the 20th century.

摘要：阿根廷女性视听史厘清了表演背后的形式、主题与风格标识。她们对现实的认知、身体的运用以及自创生（autopoiesis）过程，凸显了通过视听媒介化超越社会维度的主观审美进程。诚然，在女性史的语境下，戏剧、广播与阿根廷电影的发展史并未对这类艺术训练过程与身体教育给予应有的关注。电影表征中的身体，是一个鲜有研究的历史面向，它隶属于社会文化维度的性别抵抗美学范畴。这些进程重新诠释了我们对阿根廷表征政治，以及20世纪前三十年可视与可听范畴的全部认知。