GENDER CONCEPTS AND LINGUISTIC MODELS OF FEMALE IDENTITY IN THE POETRY OF ANNA AKHMATOVA AND ZULFIYA ISROILOVA

The article presents a comparative analysis of gender concepts and linguistic models of female identity in the poetry of two prominent twentieth-century poets, Anna Akhmatova and Zulfiya Isroilova. The study is conducted within the frameworks of cognitive poetics and linguocultural studies and aims to identify the conceptual structures that shape feminine world perception in Russian and Uzbek poetic traditions, as well as the ways in which the experience of the female “self” — emotional, cultural, and existential — is constructed in these traditions. Special attention is paid to the analysis of key concepts such as love, memory, fate, home, voice, and woman, along with the mechanisms of their linguistic representation, including metaphorical models, cultural codes, semiotic structures, and emotional dominants. The paper examines metaphorical patterns (woman as the voice of memory, woman as pain/wound, woman as the guardian of the world), strategies of subjectivity in poetic discourse, and the specific features of culturally embedded codes.本文对二十世纪两位杰出诗人安娜·阿赫玛托娃（Anna Akhmatova）与祖尔菲亚·伊斯罗伊洛娃（Zulfiya Isroilova）的诗歌中的性别观念与女性身份的语言建构模式展开比较分析。本研究以认知诗学与语言文化学为研究框架，旨在探明俄语与乌兹别克语诗歌传统中塑造女性世界认知的概念结构，以及女性“自我”的情感、文化与存在经验在该传统中的建构路径。研究重点剖析了爱、记忆、命运、家园、声音与女性等核心概念，及其语言表征机制，包括隐喻模式、文化代码、符号结构与情感主导项。本文还探讨了三类隐喻模式（即作为记忆之声的女性、作为痛苦/创伤的女性、作为世界守护者的女性）、诗歌话语中的主体性建构策略，以及内嵌于文化的代码的具体特征。