Bacchante (Gratie) at Sint-Niklaas, Belgium

'Bacchante': This standing figure was purchased in 1931 in bronze in 1928 by the Royal Museums of Fine Arts of Belgium and is thus also be viewed there. Especially in the hairstyle you recognize the hand of the wood carver who makes small decorations and details like the chisel was used. 'Grace': Like 'Bacchante' this in 1917 in typical Art Deco recognizable in her finery and ornaments elaborated. The image is part of the sculpture Three Graces, which meant the breakthrough for Wijnants. In the picture group detaillistisch elaborate hairstyles fall immediately. The sculpture group is drawn in Malines to the Haverwerf. Ernest Wijnants emerges very young and talented carver when he was a young man serving in the furniture industry. At twenty years old he was already foreman. He touches he befriended fellow townsman, sculptor, painter and uncle Rik Wouters. His whole work is a tribute to the woman. He sings about her thinness, sensuality, opulence, fertility. He cares less about the details than the aesthetics, sometimes with a touch of exoticism. His style reflects the pure, silent figures of George Minne and the Gothic sculpture. WIJNANTS Ernest (1878-1964) Wood carver in Mechelen furniture. Training in the Academy in Mechelen from 1906 in Brussels. First solo exhibition in 1911 in Brussels. In 1926 was appointed professor at the Academy of Fine Arts in Antwerp. From 1931 teacher at the National Higher Institute of Fine Arts in Antwerp. Receive awards, including the Prize Edmond Picard (1926) and the Grand Prix of Plastic Arts (1938). Design in 1936, the coin of one franc in circulation until 1952. Is a member of the Royal Flemish Academy for Sciences, Literature and Fine Arts (1938) and exhibited extensively at home and abroad. Art in the City - June 15, 1991 This object is part of Scan The World. Scan the World is a non-profit initiative introduced by MyMiniFactory, through which we are creating a digital archive of fully 3D printable sculptures, artworks and landmarks from across the globe for the public to access for free. Scan the World is an open source, community effort, if you have interesting items around you and would like to contribute, email [e-mail] to find out how you can help.Scanned : Photogrammetry (Processed using Agisoft PhotoScan)《酒神女祭司》（Bacchante）：这件立像于1928年以青铜材质被比利时皇家美术博物馆购入，并于1931年入藏，现可于该馆观赏。其发型细节尤能彰显木雕师的精湛技艺，多处精巧装饰与细节均可见凿刻痕迹。 《优雅》（Grace）：与《酒神女祭司》一样，这件作品创作于1917年，其服饰与装饰极具典型的装饰艺术（Art Deco）风格。该作品是雕塑组作《美惠三女神》的组成部分，此组作也成为了韦南茨（Wijnants）的突破性作品。在该雕塑组中，极其细腻考究的发型尤为醒目。该雕塑组现藏于比利时梅赫伦的哈弗夫工坊（Haverwerf）。 埃内斯特·韦南茨早年便展现出木雕师的卓越天赋：青年时期便投身家具行业，年仅20岁即升任工头。在此期间，他结识了同乡兼挚友——雕塑家、画家里克·武特斯（Rik Wouters），同时也是其叔父。他的全部创作均以女性为主题，赞颂女性的纤细曼妙、性感迷人、丰腴饱满与繁衍活力。相较于细节刻画，他更注重美学表达，部分作品还带有一丝异国情调。其创作风格受乔治·米内（George Minne）的静谧纯粹的人物造型以及哥特式雕塑影响颇深。 埃内斯特·韦南茨（Ernest Wijnants，1878-1964）：梅赫伦家具木雕师。1906年于梅赫伦皇家美术学院深造，后赴布鲁塞尔进修。1911年于布鲁塞尔举办首次个人画展。1926年受聘为安特卫普皇家美术学院教授，1931年起任教于安特卫普国立高等美术学院。曾斩获多项荣誉，包括1926年的埃德蒙·皮卡德奖（Edmond Picard Prize）与1938年的造型艺术大奖（Grand Prix of Plastic Arts）。1936年设计了1952年之前流通的1法郎硬币。1938年当选佛兰德斯皇家科学、文学与美术学院院士，其作品曾在全球多地广泛展出。1991年6月15日，相关展览于本市举办。 本展品为《扫描世界》（Scan The World）项目的馆藏组成部分。《扫描世界》是由MyMiniFactory推出的非营利性公益计划，旨在打造全球可免费3D打印的雕塑、艺术品与地标数字档案库，供公众免费获取。该项目采用开源社区协作模式，若您身边有值得分享的藏品并希望参与贡献，可发送邮件至[e-mail]了解参与方式。本次扫描采用摄影测量技术（Photogrammetry），并使用Agisoft PhotoScan软件完成后期处理。