156. Lipton interview of Patchen; Interview of Lipton love-in of Easter Sunday, 1967

Tape 156, side 1, part A) Kenneth Patchen reading his poetry: "I got the fat poet into a corner" (0:02) with music. ❧ Tape 156, side 1, part B) Lawrence Lipton interview of Kenneth Patchen (music in background: jazz by George Lewis (clarinet)) (0:02): John the Baptist quote on the rich, the poet's role, the people's poet, animal vs. man, the responsible artist, poets, obfuscation of reality for self interest, prostitution of the artist, Randall Jerrold[?] (writer), John Barryman (poet), being heard, pornography, prostitutes, victimization, people in power control the critic, the "nigger indian", publishers, educators, rejection of the social lie, Peter Vansittart (writer), the role of the fool, ridicule of authority, being responsible in an irresponsible society, Stuart Perkoff (poet), love poems, Kenneth Rexroth (poet), Chamber Jazz Sextet, jazz as the expression of the negro people, jazz speaks the truth against something, the rot of society, impure criticism, jazz by white people is not as compelling, creators vs. adapters, the voice of the voiceless, REd Allen (musician), blues, poetry spoken with music, aural effect of reading poetry, rehearsing reading poetry, printing and recording poetry has no impact on inspiration of poets, writing poetry is a solitary act, Dylan Thomas, public vs. private poetry reading, poet as lecturer, poet as performer, William Blake (poet), Andre Kostelanitz (conductor), Ludwig van Beethoven (composer), the fiction of the appeal of poetry to a wider audience. ❧ Tape 156, side 2) Interview of Lawrence Lipton by an unidentified man and woman, for a radio program, after 1967 March (0:02): re a happening: Be-in (Love-in) on Easter Sunday, Central Park, New York city (attended by about 10,000 people) in the Summer of Love, 1967 March 26, the celebrations of Timothy Leary (psychologist), Lipton's book The Holy Barbarians, protests in the US, the Reformation, Buddism, American Indians, gathering of the tribes (pow wow), LSD as a sacrament or a sacrament trigger, the electronic age and the dissemination of social events, Judeo-Christian ethos, Algernon Swinburne (poet), new gods, a new mythos, mating, sickness and healing, dying, pagan life, hippies, tribal sexual freedom, Lipton's book The Erotic Revolution, police and riots, the Love-In was organized by the newspapers the Free Press and the Oracle, it was an opportunity for tribal communal experience, Marshall McLuhen (philosopher), tribes vs. collectives, confrontation vs. protest, trend toward paganism and pre-Christianity, Druids, tree worship, the beat life, disaffiliation from the current societal values, Gary Snyder (poet), Dave Osman, Indian religion and philosophy and ritual, Elisabeth Waldo (violinist), the religions of Aztecs and Mayans and Incas, Donovan (musician), Bob Dylan (singer), folk singing, rock and roll, dance, religious spectacle and ritual, the love feast and the Christian Agape, guilt over the genocide of the American Indians, Bertolt Brecht (poet), Egyption ank, oriental incense, fire worship candles, the grave of John F. Kennedy (president), American Indian clothing, Hindu and Buddhist clothing and objects, Burmese finger bells, Indian raga music, African conga drums, guitars, American Indian tepees, the mushroom, spring flowers, the pagan egg (Easter egg), fertility rite, seasonal rites, the Love-In as a spectacle vs. a rite, escape from society to the universal nothingness, Søren Kierkegaard, the dicotomies of life. -- TIMES indicate where sections begin.

磁带156，第一面A部分：肯尼斯·帕臣（Kenneth Patchen）朗诵其诗作《我将胖诗人逼至墙角》（"I got the fat poet into a corner"），伴随配乐，时长0:02。
❧ 磁带156，第一面B部分：劳伦斯·利普顿（Lawrence Lipton）对肯尼斯·帕臣的访谈，背景配乐为乔治·刘易斯（George Lewis，单簧管）演奏的爵士乐，时长0:02。访谈内容涵盖：施洗者约翰论及富人、诗人的角色、人民诗人、动物与人类的分野、负责任的艺术家、诗人群体、为私利混淆现实、艺术家的操守堕落、兰德尔·杰罗尔德[？]（Randall Jerrold[?]，作家）、约翰·巴里曼（John Barryman，诗人）、被听见的诉求、色情作品、性工作者、受害化处境、当权者操控评论家、"黑鬼印第安人"、出版商、教育工作者、对社会谎言的拒斥、彼得·范西塔特（Peter Vansittart，作家）、愚者的角色、对权威的嘲弄、在不负责任的社会中坚守责任感、斯图尔特·佩科夫（Stuart Perkoff，诗人）、爱情诗、肯尼斯·雷克思罗斯（Kenneth Rexroth，诗人）、室内爵士六重奏（Chamber Jazz Sextet）、爵士乐作为黑人族群的心声、爵士乐直面真相以对抗社会积弊、社会的腐朽、不纯粹的批评、白人演奏的爵士乐缺乏感染力、创作者与改编者的分野、无声者的呼声、雷德·艾伦（Red Allen，音乐家）、蓝调音乐、配乐朗诵诗歌、诗歌朗诵的听觉效果、诗歌朗诵排练、印刷与录制诗歌对诗人的创作灵感并无增益、诗歌创作是纯粹的个体行为、迪伦·托马斯（Dylan Thomas）、公开与私密诗歌朗诵场景、以演讲者身份亮相的诗人、以表演者身份登场的诗人、威廉·布雷克（William Blake，诗人）、安德烈·科斯特拉尼茨（Andre Kostelanitz，指挥家）、路德维希·凡·贝多芬（Ludwig van Beethoven，作曲家）、诗歌能吸引更广泛受众的虚妄论调。
❧ 磁带156第二面：1967年3月后某电台节目中，一对身份不明的男女对劳伦斯·利普顿的访谈，时长0:02。访谈内容涵盖：关于公共艺术事件：1967年"爱之夏"（Summer of Love）期间的复活节周日纽约中央公园众生集会（Be-in，亦称爱之集会Love-in），约有10000人参与；向心理学家蒂莫西·利里（Timothy Leary）致敬、利普顿的著作《神圣的野蛮人》（The Holy Barbarians）、美国国内的抗议活动、宗教改革、佛教、美国原住民、部落集会（pow wow）、作为圣礼或圣礼触发物的麦角酸二乙基酰胺（LSD）、电子时代与社会事件的传播、犹太-基督教精神传统、阿尔杰农·斯温伯恩（Algernon Swinburne，诗人）、新神祇、新神话、两性结合、疾病与疗愈、死亡、异教生活方式、嬉皮士群体、部落式性自由、利普顿的著作《情色革命》（The Erotic Revolution）、警方与骚乱；本次爱之集会由《自由报》（Free Press）与《神谕报》（Oracle）主办，旨在打造部落式集体体验场景；哲学家马歇尔·麦克卢汉（Marshall McLuhan）的相关论述、部落与集体的差异、对抗与抗议的分野、异教与前基督教信仰的复兴趋势、德鲁伊教徒、树木崇拜、垮掉派生活方式、脱离当前社会价值观的疏离状态、诗人加里·斯奈德（Gary Snyder）、戴夫·奥斯曼（Dave Osman）、印第安宗教、哲学与仪式、小提琴手伊丽莎白·沃尔多（Elisabeth Waldo）、阿兹特克、玛雅与印加宗教、音乐家多诺万（Donovan）、歌手鲍勃·迪伦（Bob Dylan）、民谣演唱、摇滚乐、舞蹈、宗教奇观与仪式、爱之宴与基督教的圣爱（Agape）、对美国原住民种族灭绝的愧疚感、诗人贝托尔特·布莱希特（Bertolt Brecht）、埃及安卡（Egyptian ankh）、东方香薰、火祭蜡烛、总统约翰·F·肯尼迪（John F. Kennedy）之墓、美国原住民服饰、印度与佛教服饰及器物、缅甸指铃、印度拉格音乐、非洲康加鼓、吉他、美国原住民帐篷（tepees）、蘑菇、春花、异教彩蛋（复活节彩蛋）、生育仪式、季节性仪式、将爱之集会视为奇观与视为仪式的差异、逃离社会遁入普遍虚无、哲学家索伦·克尔凯郭尔（Søren Kierkegaard）、生命的二元对立。
-- 时间戳标注各段落起始位置。