Tables of the results of a systematic review of the literature of the BBD RSCI on the topic “Genre in the characteristics of the musical culture of the region” (application)

The data set contains tables compiled based on the results of an express review of the bibliographic database of the Russian Science Citation Index (RSCI) using eLIBRARY.RU search tools.Taking into account the significant dispersion in the refraction of theoretical traditions in the interdisciplinary field of research of regional musical culture, the concepts of sociocultural and epistemological frontiers by G. V. Bakumenko, introduced into scientific circulation by domestic scientists, logically following from the epistemological concept of methodological pluralism of P. Feyerabend, were used as the basic categories of methodological support for the study. In our case, we have to admit that the genre diversity of the objective reality of regional musical culture is a dynamic sociocultural phenomenon - that is, a sociocultural frontier, which, due to its dynamic nature, cannot be described by a single universal concept, but represents a certain set of concepts that descriptively characterize various manifestations of a part of reality. It is also legitimate to use the theoretical construct “epistemological frontier” to characterize the mobility of regional theoretical traditions in the description of such a mobile phenomenon as a musical genre. In other words, by sociocultural frontier we understand a part of moving reality, and by epistemological we mean theoretical abstractions that describe sociocultural frontiers, which can simultaneously be interpreted in various theoretical traditions.

本数据集包含基于借助eLIBRARY.RU检索工具对俄罗斯科学引文索引（Russian Science Citation Index，RSCI）书目数据库开展快速审阅所得结果编译而成的表格。鉴于区域音乐文化研究跨学科场域中理论传统的折射存在显著离散性，由国内学者引入学术话语体系的G. V. 巴库缅科（G. V. Bakumenko）所提出的社会文化边界与认识论边界概念，其逻辑溯源自保罗·费耶阿本德（P. Feyerabend）的方法论多元主义认识论理念，被用作本研究方法论支撑的核心范畴。就本研究而言，区域音乐文化客观实在中的体裁多样性是一种动态社会文化现象——亦即社会文化边界。由于其动态属性，该现象无法通过单一普适性概念加以描述，而是体现为一组可从描述性层面刻画实在局部多样表现的概念集合。同样，采用理论建构“认识论边界”来刻画音乐体裁这类流动现象中的区域理论传统的流动性，具备学术合理性。换言之，我们将社会文化边界理解为流动实在的局部，而认识论边界则指代用于描述社会文化边界的理论抽象，这类抽象可在多种理论传统中得到并行阐释。