PROBLEMS OF SYNTACTIC ANALYSIS OF ABDULLA ORIPOV'S POETRY

This article analyzes the syntactic structure of Abdulla Oripov’s poetry from the perspective of linguopoetics and stylistic features of poetic discourse. The study examines the theoretical foundations of poetic syntax, the relativity of sentence boundaries in poetic texts, and the aesthetic and emotional functions of syntactic units. Particular attention is paid to the use of simple and complex sentences, elliptical and incomplete constructions, syntactic parallelism, repetition, inversion, rhetorical questions, and exclamatory sentences in the poet’s works, as well as their poetic functions. The article goes beyond traditional grammatical approaches and focuses on the relationship between syntactic form and poetic meaning. It substantiates the idea that syntax in Abdulla Oripov’s poetry is not merely a grammatical structure, but an essential expressive means that reveals the poet’s individual artistic thinking. The study also highlights the significance of context, rhythm, intonation, and the factor of national mentality in the analysis of poetic syntax.本文从语言诗学（linguopoetics）与诗歌话语的文体特征视角出发，分析阿卜杜拉·奥里波夫（Abdulla Oripov）诗歌的句法结构。本研究探讨了诗歌句法的理论基础、诗歌文本中句子边界的相对性，以及句法单位的审美与情感功能。研究特别关注了该诗人作品中简单句与复合句、省略结构与不完整句式、句法平行、重复、倒装、修辞问句以及感叹句的运用及其诗歌功能。本文突破了传统语法研究范式，聚焦句法形式与诗歌意蕴之间的关联，论证了如下观点：阿卜杜拉·奥里波夫诗歌中的句法并非仅仅是语法结构，更是揭示诗人独特艺术思维的核心表达手段。本研究同时强调了语境、节奏、语调以及民族心理因素在诗歌句法分析中的重要意义。