“Nobody loses no one’s hand”: an “ingenue” (?), “romantic” (?) and “hopeful” (?) performance autoethnography

Abstract Through a performance autoethnography the authors seek to problematize the limits and potentialities of fear in contemporary times, proposing ways from resistance, hope and love. Considering theirs diasporic movements and the encounter with different cultures and times, the potential of dialogical propositions and building bridges is reflected in the body’s interface with culture-society.

摘要：本研究采用表演式自我民族志（performance autoethnography）方法，旨在对当代语境下恐惧的边界与潜在可能性展开问题化探讨，并提出基于抵抗、希望与爱的应对路径。结合研究者自身的流散迁徙经历，以及与不同文化、时代的交汇体验，对话式主张的潜力与沟通桥梁的构建价值，可在身体与文化-社会的交互界面中得到彰显。