A throw of the dice will never abolish chance.com

BACKGROUND The printed book has been framed as a combinatorial machine by poets (Mallarmé, 1897; Borges, 1941; Lutz, 1959), and critics (Calvino, 1989; Nelson, 1980; Deleuze & Guattari, 1980), who consider the book to be a system constructed between reader, technology, and language. This research questions how these concepts play out in light of recent advancements in the use of AI by info-glomerates such as Google in their quest for universal knowledge (Groys, 2012). What role does the human play in an automated acquisition of universal written culture? CONTRIBUTION This research comprises a live-data driven reinterpretation of Mallarmé's cryptic poem "Un Coup de Dés Jamais N'Abolira Le Hasard" (1887), generating new texts in an attempt to reveal the poem's combinatorial potential. Exploring the poem's notions of chance, Athrow... is re-editioned by mapping images from Google's reCAPTCHA service to the ground-breaking spatial organisation of Mallarmé's work. Infinite re-editions of the 12 page poem are re-submitted to Google Books as unique publications that in turn are unreadable by Google and return once more to reCAPTCHA. The algorithmic e-literature, designed by Simionato (coded by Karen ann Donnachie), leverages 'unreadable' words through an algorithmic e-literature work designed by Simionato (coded by Karen ann Donnachie). SIGNIFICANCE Athrow... premiered in the leading international conference of E-Literature-ELO 2015-via a competitive 3 step jury review process. The work was screened in the curated ELO2015 Hybridity and Synaesthesia exhibition at Lydgalleriet, Bergen, Norway, and subsequently exhibited in the curated, Australia Council funded, group show "Words Beyond Grammar", at Spectrum Gallery, WA, 2016, and will be published in a book of the same name in 2016.一、研究背景 印刷书籍被诸多诗人（斯特凡纳·马拉美（Stéphane Mallarmé），1897；豪尔赫·路易斯·博尔赫斯（Jorge Luis Borges），1941；卢茨，1959）与批评家（伊塔洛·卡尔维诺（Italo Calvino），1989；纳尔逊，1980；吉尔·德勒兹（Gilles Deleuze）与费利克斯·瓜塔里（Félix Guattari），1980）定义为一种组合机器，他们认为书籍是构建于读者、技术与语言之间的系统。本研究旨在探讨：在谷歌（Google）等信息巨头为探寻通用知识而应用人工智能的最新进展背景下，上述概念将如何呈现？在自动化获取通用书面文化的过程中，人类将扮演何种角色？ 二、研究贡献 本研究基于实时数据，对斯特凡纳·马拉美的晦涩诗作《骰子一掷绝不会改变偶然性》（Un Coup de Dés Jamais N'Abolira Le Hasard，1887）进行重新诠释，通过生成新文本以揭示该诗作的组合性潜能。本研究围绕诗作中对偶然性的探讨，将谷歌reCAPTCHA服务的图像映射至马拉美作品极具开创性的空间布局中，对《掷骰》（Athrow...）进行再版创作。这部12页诗作的无限再版作品将作为独特出版物重新提交至Google Books，而这些作品对谷歌而言同样不可读取，进而再次回流至reCAPTCHA验证系统。由西米奥纳托（Simionato）设计、卡伦·安·多纳基（Karen ann Donnachie）编码的算法电子文学作品，借助算法机制对“不可读”文本进行开发利用。 三、研究意义 《掷骰》（Athrow...）于2015年国际电子文学顶级会议ELO 2015首发，该会议采用三轮竞争性评审团评审流程。作品曾在挪威卑尔根Lydgalleriet画廊举办的ELO2015“混合性与联觉”精选展中展出，随后于2016年在澳大利亚理事会资助的精选群展“超越语法的文字”（Words Beyond Grammar）中，于西澳Spectrum画廊展出，并将于2016年推出同名专著。